Orbiting Human Circus have announced the November 17 release of their album Quartet Plus Two, accompanied by its lead single, an interpretation of the Johnny Green/Edward Heyman jazz composition “I Cover the Waterfront.” Listen to and share “I Cover the Waterfront” wherever you stream music, and pre-order Quartet Plus Two on CD, LP, and natural and pink swirl Peak Vinyl from the Merge store!

Orbiting Human Circus is the continuing evolution of the imagination of Julian Koster (Neutral Milk Hotel, The Music Tapes, Elephant 6), whose music and storytelling under this moniker have encompassed immersive theater and a narrative fiction podcast released in partnership with Night Vale Presents and WNYC—with a new, epic musical fiction podcast coming soon—as well as more traditional EPs and singles. Quartet Plus Two is the group’s debut album.

The “Quartet” is composed of Koster, standup bass player Gauvain Gamon, drummer Kolja Gjoni, and pianist Benji Miller. The “Plus Two” are North and Romika, the singing saws, whom Koster encourages to sing. “I think saws sing like angels,” he says. “I always have, since I was a little boy. When you encourage them to sing, they do so earnestly and beautifully. It’s an honest and real sound. Sometimes when they are singing, I’ve even heard them speak, weep, and imitate birds.”

The origins of Quartet Plus Two are as magical and seemingly unlikely as everything else in Koster’s career. While walking through New York’s Central Park, he stumbled upon Gamon and Gjoni playing Gershwin and Mingus, and, with the addition of Miller, a musical partnership was born. Koster’s longtime collaborators Robbie Cucchiaro (horns) and Thomas Hughes (orchestral arranging and chimes) of The Music Tapes also contribute to the record.

The music they make together is at once familiar and unrecognizable; while exploring new musical paths ever forward, there is something as comforting as the smell of autumn leaves or snow. Alongside those composed by Koster, Orbiting Human Circus interpret compositions by Irving Berlin, Duke Jordan, George and Ira Gershwin, and others. The use of the term “composition” is intentional and speaks to Koster’s relationship with the music of Quartet Plus Two in far more evocative terms than “cover” or even “standard.” Much like passionate young pianists will sit down to play Brahms, or children can still be found the world over singing “London Bridge,” or the traditional “Koliada” featured on this album is still sung at holiday time, this music is vital, eternal, and right now—and through the medium of the hearts and souls of Koster and Orbiting Human Circus, the spark that animates these songs has never glowed more warmly.

Next month, Koster’s Orbiting Human Circus will play a series of special duo shows, featuring the songs of The Music Tapes. Tickets for all dates are on sale now!

Orbiting Human Circus (duo) on tour:
Sep 14 Asheville, NC – Citizen Vinyl
Sep 16 Philadelphia, PA – The Parish Room at First Unitarian Church
Sep 18 New York, NY – Le Poisson Rouge
Sep 19 Washington, DC – Pie Shop
Sep 20 Durham, NC – The Pinhook
Sep 21 Athens, GA – 40 Watt Club
Sep 23 Atlanta, GA – Eyedrum