Orbiting Human Circus is the continuing evolution of the imagination of Julian Koster (The Music Tapes, Elephant 6), whose music and storytelling under this moniker have encompassed immersive theater and podcasts as well as more traditional EPs and singles. Quartet Plus Two is the group’s debut album. 

The origins of Quartet Plus Two are as magical and seemingly unlikely as everything else in Koster’s career. While walking through New York’s Central Park, he stumbled upon standup bass player Gauvain Gamon and drummer Kolja Gjoni playing Gershwin and Mingus, and, with the addition of pianist Benji Miller, a musical partnership was born. Koster’s longtime collaborators Robbie Cucchiaro (horns) and Thomas Hughes (orchestral arranging and chimes) of The Music Tapes also contribute to the record.

The music they make together is at once familiar and unrecognizable; while exploring new musical paths ever forward, there is something as comforting as the smell of autumn leaves or snow. Alongside those composed by Koster, Orbiting Human Circus interpret compositions by Irving Berlin, Duke Jordan, George and Ira Gershwin, and others. The use of the term “composition” is intentional and speaks to Koster’s relationship with the music of Quartet Plus Two in far more evocative terms than “cover” or even “standard.” Much like passionate young pianists will sit down to play Brahms, or children can still be found the world over singing “London Bridge,” or the traditional “Koliada” featured on this album is still sung at holiday time, this music is vital, eternal, and right now—and through the medium of the hearts and souls of Koster and Orbiting Human Circus, the spark that animates these songs has never glowed more warmly.